Palestinian groom Mohamed abu Daga and his bride Israa wear face masks amid the COVID-19 epidemic, during a photoshoot at a studio before their wedding ceremony in Khan Yunis in the southern Gaza Strip, on March 23, 2020. Authorities in Gaza confirmed on March 22 the first two cases of novel coronavirus, identifying them as Palestinians who had travelled to Pakistan and were being held in quarantine since their return, as the United Nations warned of potential disastrous outcomes to an outbreak given the high poverty rates and weak health system in the coastal strip, under Israeli blockade since 2007. (Photo by Said Khatib/AFP Photo)

A woman wearing a protective mask walks through a platform of a train station during the afternoon rush hours as the Omicron variant continues to spread, amid the coronavirus disease (COVID-19) pandemic, in Jakarta, Indonesia, January 3, 2022. (Photo by Willy Kurniawan/Reuters)

Dancers perform the traditional Kuda Lumping in Bogor, Indonesia early November 2022. They are said to enter a trance-like state as they perform, and often claim not to remember the dance once they awaken. (Photo by Sita Gramich/Solent News)

Tautumeitas from Latvia performs the song “Bur Man Laimi” during the dress rehearsal for the second semi-final of the 69th Eurovision Song Contest, in Basel, Switzerland, Wednesday, May 14, 2025. (Photo by Martin Meissner/AP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.