A work by Chinese artist ROBBBB is seen on a wall in the ruins of a building in Beijing September 27, 2015. The 25-year-old artist in Beijing prefers to display his work on the walls of abandoned buildings, rather than a gallery. His artwork is mostly derived from photos of people he sees in the Chinese capital, anyone ranging from elderly people to construction workers. (Photo by Jason Lee/Reuters)

Palestinian plain-clothed security officers detain a man during a demonstration in the city of Ramallah in the occupied West Bank, on June 26, 2021, to protest the death of human rights activist Nizar Banat while in the custody of Palestinian Authority (PA) security forces. Thousands of mourners attended on June 25 the funeral of the 43-year-old Banat, a day after he died in custody following his violent arrest by Palestinian security forces, which sparked outrage in the occupied West Bank. He was known for social media videos denouncing alleged corruption within the PA. (Photo by Ahmad Gharabli/AFP Photo)

Anil Saxena from Mumbay, India creates amazing photo manipulations using Photoshop. These surreal photos will truly amaze you. Anil started out doing conventional darkroom photo composition and retouching them before moving these skills over to Photoshop. He is a true perfectionist: “If the image is a success but my work goes unnoticed, I’m doing my job well.” says Anil. I think we definitely should notice these works, because what he does is amazing!

A farmer works in a paddy field at Reba Maheswar village, 56 kilometers (35 miles) east of Gauhati, India, Friday, July 3, 2015. Rice is one of the most important food crops of India and about 4,000 different varieties are grown in different parts of the country. (Photo by Anupam Nath/AP Photo)

An employee walks past a rotary dredge working at an open-cast iron ore mine of the Stoilensky mining and concentration plant (GOK), owned by the Novolipetsk (NLMK) steel mill, in the city of Stary Oskol in Belgorod region, Russia, August 4, 2015. (Photo by Maxim Shemetov/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.