“Warming up”. This photo I capture in the early afternoon, the animal species of lemurs fly. Photo location: Sambas, West Kalimantan, Indonesia. (Photo and caption by Hendy Mp/National Geographic Photo Contest)

Soldiers take part in a drill during a heavy snow in Heihe, Heilongjiang province, February 26, 2014. (Photo by Reuters/China Daily)

A man pushes her daughter on a cart as they shop at a market in Seoul, South Korea, July 26, 2016. (Photo by Kim Hong-Ji/Reuters)

A goose attacks an Orthodox believer as he leaves the icy waters of a pond during the celebration of the Orthodox Epiphany holiday in Kiev on January 19, 2018. Thousands of Ukrainian Orthodox Church followers plunged into icy rivers and ponds across the country to mark Epiphany, cleansing themselves with water deemed holy for the day. (Photo by Sergei Supinsky/AFP Photo)

Kandy Freeman participates in a Black Lives Matter protest in front of Trump Tower in New York City, U.S. January 14, 2017. (Photo by Stephanie Keith/Reuters)

An Iraqi woman and foreigners use pair of compact discs as a filter to watch the partial solar eclipse in war-torn Baghdad, 29 March 2006. Without access to proper equipment to protect their eyes from the sun's rays, eclipse watchers in Iraq used makeshift filters. The moon blotted out the sun over northwest Africa early Wednesday, turning day into night in a total solar eclipse as it swept a shadowy path from the outer tip of Brazil to the steppes of Mongolia. (Photo by Hassan Ammar/AFP Photo)

A spectator cools herself at a water spraying fan at the Australian Open tennis championships in Melbourne, Australia, Tuesday, January 17, 2017. (Photo by Kin Cheung/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)