“Still” also known as the “Mirror Man”, created by artist Rob Mulholland which symbolises the physical and spiritual relationship between humans and the natural world, has returned to Loch Earn in St. Fillans on May 9, 2025 after being removed in 2017 due to storm damage. (Photo by Lesley Martin)

A river otter (lontra longicaudis) of 6-weeks-old looks in the mirror during a bath in the Animal Welfare Unit of the Zoo in Cali, Colombia, on October 22, 2019. The baby otter was found abandoned brought to the Cali Zoo for breeding, for its extensive experience in raising these species. According to the International Union for Conservation of Nature the river otter (lontra longicaudis) are in danger of extinction, because of mining, agriculture, pollution of rivers and housing construction in their habitat. (Photo by Luis Robayo/AFP Photo)

Gorgeous galaxies and stunning stars make up this selection of pictures from the shortlisted entries for this year’s Insight Astronomy Photographer of the Year award. The winners will be announced on 15 September, and an exhibition of the winning images will be will be displayed in a free exhibition at the Royal Observatory Greenwich’s Astronomy Centre from 17 September. Here: “Seven Magic Points”. The rusty red swirls of the circular, iron sculpture Seven Magic Points in Brattebergan, Norway mirror the rippling aurora above. (Photo by Rune Engebø/Royal Observatory Greenwich’s Astronomy Photographer of the Year 2016/National Maritime Museum)

Reflected in the rearview mirror, Jose Collantes gets a hug from daughter Kehity while they're stopped at a red light, as Jose drives his five-year-old home from a playdate in Santiago, Chile, Sunday, September 6, 2020, three months after they lost his wife, her mother, to COVID-19. Their case highlights how COVID-19 deaths the world over are often the beginning of a new personal journey for those affected. (Photo by Esteban Felix/AP Photo)

Spectators shoot video with his their cellphones as Aerosparx Grob109b motor gliders launch fireworks while performing aerobatics at the end of Oeiras Valley Air Show, an aerobatics festival integrated in the Portugal Air Summit'22, over Santo Amaro Beach on October 16, 2022 in Oeiras, Portugal. The festival included various aerobatics performances with airplanes from the Air Race Championship, a Supermarine Spitfire, and air shows by former world champions Ramón Alonso, Castor Fantoba, Jorge Macias, Luís Garção, Quijote, Jacobstars and The Raven Team. It also had an overflight of the Portuguese Air Force F16s and, at the end of the afternoon, Aerosparx team illuminating Santo Amaro water mirror with fireworks launched from the airplanes' wings. (Photo by Horacio Villalobos#Corbis/Corbis via Getty Images)

The truth can never be seen right away. Only by looking from a certain angle can we view the true nature of things. At other times, only with the help of some special object can we discern order in chaos. Anamorphosis is a form of art that allows us to see an object only by viewing it from a certain angle or by using cylindrical or conical mirror. Unsurprisingly, the first person in history to ever use this type of technique was the Leonardo Da Vinci. During late Renaissance period this technique was popularized as a children’s toy. Now, however, few people use this form of imagery due to its intricacy. Istvan Orosz, born in 1951, is one of the few people who specialize in anamorphosis. In our opinion, his most stunning piece of art is the one where a shipwreck scene turns into a portrait when viewed through a cylindrical mirror. (Photo by Jonty Hurwitz)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)