Sgt. William Olas Bee, a U.S. Marine from the 24th Marine Expeditionary Unit, has a close call after Taliban fighters opened fire near Garmsir in Helmand Province of Afghanistan, May 18, 2008. (Photo by Goran Tomasevic/Reuters)

Mamoni Mandal, member of the Rapid Action Force (RAF), attends a training session at a police training school in Kolkata April 15, 2007. (Photo by Parth Sanyal/Reuters)

Engine driver Josef Kowatsch (top L) steers a train through the NEAT Gotthard Base Tunnel during a media visit near the town of Erstfeld August 24, 2015. Crossing the Alps, the world's longest train tunnel should become operational at the end of 2016, consisting of two parallel single track tunnels, each of a length of 57 km (35 miles). (Photo by Arnd Wiegmann/Reuters)

Ramoncito Campo kisses his wife Hernelie Ruazol Campo on a flooded street during a southwest monsoon that battered Manila August 8, 2012. The newly-wed couple pushed through with their scheduled wedding despite severe flooding that inundated wide areas of the capital and nearby nine provinces. (Photo by Reuters/Courtesy of Ramoncito Campo)

Marshalls try to get their hands on a streaker as golfers Michael Campbell of New Zealand and Paul McGinley of Ireland play the World Match Play final at Wentworth golf club some 20 miles west of London, 18 September 2005. Campbell won the title at the 17th hole. (Photo by Odd Andersen/AFP Photo)

A British soldier from 3 Commando Brigade looks through the sight of his sniper rifle at Camp Gibraltar February 24, 2003 near Kuwait City, Kuwait. (Photo by Ian Waldie/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.