The moment baby elephant gets a helping hand to escape the slippery waterhole was caught on camera in the Addo Elephant National Park in the Eastern Cape of South Africa in the last decade of August 2025. (Photo by Anne Laing/Caters News Agency)

A red deer looks as though it is yawning while it bellows at sunrise. The stag created a cloud of steamy breath as it was warmed by the first light of the sun in Richmond Park, London on October 28, 2025. (Photo by Cristian Vasile/Solent News & Photo Agency)

A gibbon drinks from a soft drink bottle, given by a tourist, at a zoo in Kunming, Yunnan province, June 18, 2015. (Photo by Wong Campion/Reuters)

A cat wears a “Tsunagaru Col” gadget next to a smart phone displaying the connected app, at the Anicall Corp booth during the Wearable Device Technology Expo in Tokyo January 14, 2015. The gadget (“Tsunagaru” means connection) for animals tracks information about pets, such as the location and other animals the pet might be interacting with, with the purpose of providing “social networking” for animals. The expo runs until January 16 as a part of Japan's largest electronic exhibition expected to attract around 77,000 visitors, according to organisers. (Photo by Yuya Shino/Reuters)

Two stags fight in a wildlife park in Aurach near Kitzbuehel, in the Austrian province of Tyrol. (Photo by Kerstin Joensson/Associated Press)

Meet the star students of orangutan school – the unique rehab centre where orphaned apes are taught how to climb trees and survive in the wild without their mum and dad. (Photo by Caters News)

A Spanish photographer has created a collection of pictures featuring animals dressed in human clothing. Miguel Vallinas who is based in Madrid, has called the project Segundas Pieles which means Second Skins. But rather than just creating a collection of funny pictures, Vallinas tries to imagine which clothes the animals would choose for themselves if they could.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.