Chinese paramilitary guards monitoring passengers as they head to their train to travel to their hometowns for the “Spring Festival” or Lunar New Year at Nantong Railway Station in Jiangsu province, near Shanghai Travellers taking part in the world' s largest annual human migration must be home by January 27 to usher in the new year on January 28. (Photo by AFP Photo/Stringer)

Nosy neighbour by Sam Hobson, UK. Sam knew exactly who to expect when he set his camera on the wall one summer’s evening in a suburban street in Bristol, the UK’s famous fox city. He wanted to capture the inquisitive nature of the urban red fox in a way that would pique the curiosity of its human neighbours about the wildlife around them. (Photo by Sam Hobson/2016 Wildlife Photographer of the Year)

A Syrian man carries the body of a girl following a reported airstrike on Kafr Batna, in the rebel-held Eastern Ghouta area, on the outskirts of the capital Damascus, on September 30, 2016. Air raids on several rebel-held towns in the Eastern Ghouta region killed at least 17 people including eight children, the Syrian Observatory for Human Rights monitor said. (Photo by Amer Almohibany/AFP Photo)

A humanoid dental patient robot, named Hanako Showa, about to be used during a demonstration of dental treatment at Showa University on March 25, 2010 in Tokyo, Japan. The robot was co-developed by the university and tmsuk co. Ltd, and simulates real human patients. The robot has been used for training of procedures in which the dental treatment requires a high level of precision. (Photo by Koichi Kamoshida/Getty Images)

Photographer Tyler Shields had become comfortable, a feeling he found “terrible” as an artist. He wanted to do something challenging, something that pushed the human boundaries. So he spent a year documenting heights, fear, energy and falling – a series he calls “Suspense”. Photo: “Balloon”. (Photo by Tyler Shields)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.

Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.