A robin perches on a spade handle in a garden on a rainy day in Lixwm, north Wales. Researchers said this week that when European robins are subjected to human-produced noise, their behaviour changes. (Photo by DGDImages/Alamy Live News)

Leilani Franco has made it into the Guinness Book of World Records for the fastest human backbend walk, traveling in a backbend position a distance of 20 meters (65 ft 7.2 in) in a time of 10.05 seconds. (Photo by PA Wire)

Women in Chicago being arrested for wearing one piece bathing suits, without the required leg coverings. (Photo by Topical Press Agency/Getty Images). 1922

Is it worth eating live beings? This is a philosophical question: the history of our species and the ontology of being are saying that it's more likely yes, and on the other hand your mind and empathy are more likely to be against this idea. Or at least like in this Korean clip – eat, but with tears in your eyes.

An elephant enjoys its back being scrubbed by the keeper on March 1, 1950. (Photo by Fox Photos/Getty Images)

Cairo-based artist Chanel Arif's paints for her art project called After Dinner that uses humans and their surroundings as her canvas, in her gallery in the capital of Cairo, Egypt March 2, 2017. (Photo by Sherif Fahmy/Reuters)

Tiffany Noreuil at the Oregon Humane Society in Portland, Oregon, holds feline Hercules, a 20-pound stray whose girth got him stuck in a pet door while trying to plunder some dog food. (Photo by AP Photo)

See also: Large People

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.