Fans of Chris Mazdzer of the United States including his girlfriend Mara Marian (C) react following his third run during the Luge Men's Singles on day two of the PyeongChang 2018 Winter Olympic Games at Olympic Sliding Centre on February 11, 2018 in Pyeongchang-gun, South Korea. (Photo by Alexander Hassenstein/Getty Images)

A woman dressed in a costume poses for a photograph at Tokyo Comic Con at Makuhari Messe in Chiba, Japan December 2, 2016. (Photo by Issei Kato/Reuters)

Sad woman standing near car with scratch on parking and talking by the phone. (Photo by Vera Petrunina/Getty Images)

“The Antonov An-124 Ruslan (NATO reporting name: Condor) is a strategic airlift jet aircraft. It was designed by the Soviet Union's Antonov design bureau. It is the world's largest ever serially-manufactured cargo airplane and world's second largest operating cargo aircraft. During development it was known as Izdeliye 400 in house, and An-40 in the West. First flown in 1982, civil certification was issued on 30 December 1992”. – Wikipedia

Photo: The new metro called “Bombardier MOVIA” with 22,50 meters long and 3,2 meters wide is load on a Antonow An-124 plane for transport to India on February 25, 2009 in Parchim, Germany. (Photo Handout Bombardier Transportation via Getty Images)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“The power of nature”. Magma, ash and gas erupt from Mount Etna in December 2015, rising to a height of several kilometres. Winner: Nature. (Photo by Giuseppe Mario Famiani/SIPA Contest)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.