Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

A zebra walks through the recently flooded Safari Park located at Safari World November 2, 2011 in Bangkok, Thailand. (Photo by Paula Bronstein /Getty Images)

This year’s overall winner and winner of the coast and marine category is George Stoyle with his image “Hitchhikers” of a Lion’s mane jellyfish, photographed at St Kilda, off the Island of Hirta, Scotland. (Photo by George Stoyle/British Wildlife Photography Awards 2016)

The British Wildlife Photography Awards winners have been revealed, with Lee Acaster from Suffolk taking home the top prize for his shot of a Graylag Goose in London. Acaster, who received £5,000, photographed the animal against an ominous London skyline, with The Shard clearly visible in the background. Here: “Urban Tourist (Graylag Goose)”. Urban category and overall winner. (Photo by Lee Acaster/British Wildlife Photography Awards 2014)

A recently rescued grey seal pup looks up from its indoor kennel at the RSPCA West Hatch Wildlife Centre on January 9, 2012 in Taunton, England. The centre is currently dealing with a number of mainly grey seals that have been rescued from the coast due to the recent storms. Staff at the centre hope to release all the seals back into the wild by the spring. (Photo by Matt Cardy/Getty Images)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Bela Bordosi is not the first person to arrange various household objects into the shape of the letters and making photos, and he’s definitely not the last. However, the way he does it is definitely very distinct and original. Sure, some photos are most definitely staged. However, some letters just pop out of the picture that doesn’t look staged at all. As if by chance, the items create a vivid “A” in your mind, so vivid that it’s very hard to notice the individual items that were used in the making of this composition. The reason behind it is probably because Bela Bordosi’s other photos are optical illusions created using a similar method. (Photo by Bela Borsodi)