Madison Chock and Evan Bates, of the United States, compete in the ice dance's rhythm dance segment at the ISU Grand Prix Finals of Figure Skating, Friday, December 6, 2024, in Grenoble, France. (Photo by Laurent Cipriani/AP Photo)

Canada's Leylah Fernandez serves against Croatia's Donna Vekic during their women's singles match at the United Cup tennis tournament in Perth on December 28, 2024. (Photo by Colin Murty/AFP Photo)

Czechia's Karolina Muchova plays a shot between her legs to Italy's Jasmine Paolini during their quarterfinal match at the United Cup tennis tournament in Sydney, Australia, Friday, January 3, 2025. (Photo by Rick Rycroft/AP Photo)

Tara Davis-Woodhall of Team United States competes during the Women's Long Jump Final on day two of the World Athletics Championships Tokyo 2025 at National Stadium on September 14, 2025 in Tokyo, Japan. (Photo by Matthias Hangst/Getty Images)

Anil Saxena from Mumbay, India creates amazing photo manipulations using Photoshop. These surreal photos will truly amaze you. Anil started out doing conventional darkroom photo composition and retouching them before moving these skills over to Photoshop. He is a true perfectionist: “If the image is a success but my work goes unnoticed, I’m doing my job well.” says Anil. I think we definitely should notice these works, because what he does is amazing!

A farmer works in a paddy field at Reba Maheswar village, 56 kilometers (35 miles) east of Gauhati, India, Friday, July 3, 2015. Rice is one of the most important food crops of India and about 4,000 different varieties are grown in different parts of the country. (Photo by Anupam Nath/AP Photo)

An employee walks past a rotary dredge working at an open-cast iron ore mine of the Stoilensky mining and concentration plant (GOK), owned by the Novolipetsk (NLMK) steel mill, in the city of Stary Oskol in Belgorod region, Russia, August 4, 2015. (Photo by Maxim Shemetov/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.