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Aerial Views by  Ken Hong Leung

H. Leung has been acclaimed since 1952 for his brilliant artistic style. A master of oil on canvas, he achieves a haunting quality in his works that absorbs the viewer’s emotions like an irresistible melody. His brush, like a wand, seems to weave a sense of enchantment. In his landscapes and waterside villages, visions of Shangri-La come to mind, superbly mixed with subtle orchestrations of peacefulness and drama.

Technique is both a creative and expressive force in the art of H. Leung. Distinctively semi-abstract, his images allow the viewer’s eye to supply what is merely suggested. This very involving result adds power not only to the impact of his designs, it increases the joy that owning his works provides.
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26 Aug 2012 12:10:00
Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. The coronavirus pandemic has made Tokyo's geisha fear for their centuries-old profession as never before. Though the number of geisha - famed for their witty conversation, beauty and skill at traditional arts - has been falling for years, they were without work for months due to Japan's state of emergency and now operate under awkward social distancing rules. Engagements are down 95 percent, and come with new rules: no pouring drinks for customers or touching them even to shake hands, and sitting 2 meters apart. Masks are hard to wear with their elaborate wigs, so they mostly don't. “I was just full of anxiety”, said Mayu, 47. “I went through my photos, sorted my kimonos ... The thought of a second wave is terrifying”. (Photo by Kim Kyung-Hoon/Reuters)

Mayu adjusts Koiku’s kimono, as Koiku wears a protective face mask while posing for a photograph, before they work at a party where they will entertain with other geisha at Japanese luxury restaurant Asada in Tokyo, Japan, June 23, 2020. (Photo by Kim Kyung-Hoon/Reuters)
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23 Jul 2020 00:03:00
U.S. soldiers from the 2nd Battalion, 12th Infantry Regiment, 4th Brigade Combat Team, fire mortars at known enemy firing positions from a base in the Pech River Valley in Afghanistan's Kunar province, Saturday, October 24, 2009. (Photo by David Guttenfelder/AP Photo)

David Guttenfelder was born in Iowa and graduated from the University of Iowa with a Bachelor of Arts in cultural anthropology. He has worked for the AP since 1994 based in Kenya, the Ivory Coast, India and Japan. He is currently AP’s chief Asia photographer and his feature work has been used prominently in editorial publications throughout the world including Time and National Geographic. Photo: U.S. soldiers from the 2nd Battalion, 12th Infantry Regiment, 4th Brigade Combat Team, fire mortars at known enemy firing positions from a base in the Pech River Valley in Afghanistan's Kunar province, Saturday, October 24, 2009. (Photo by David Guttenfelder/AP Photo)
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21 Apr 2014 10:11:00
Inhabitants of the community of Coyolillo celebrate their Afro-descendant carnival in Veracruz, Mexico on February 25, 2020. This carnival has more than 100 years of history and is the heritage of the African workers who arrived in that area more than 300 years ago to work in the sugar cane fields. The event is known for the colourful robes, capes and animal masks – of bulls, deer, goats and cows – worn by participants. As such, the carnival is a unique expression of African-Mexican folk art. (Photo by Hector Adolfo Quintanar Perez/ZUMA Wire/Rex Features/Shutterstock)

Inhabitants of the community of Coyolillo celebrate their Afro-descendant carnival in Veracruz, Mexico on February 25, 2020. This carnival has more than 100 years of history and is the heritage of the African workers who arrived in that area more than 300 years ago to work in the sugar cane fields. (Photo by Hector Adolfo Quintanar Perez/ZUMA Wire/Rex Features/Shutterstock)
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05 Mar 2020 00:03:00
Author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)
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30 Mar 2015 12:48:00
Hyperrealistic Portraits By Sean Yoro aka Hula

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.
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15 Sep 2015 11:15:00
Princess Tarinan works on a canvas. (Photo by Thomas Cordy/The Palm Beach Post)

Artist Princess Tarinan von Anhalt throws paint into the flow of air coming from the engine of Flexjet’s Learjet 40 XR engine to create a painting on a canvas at Signature Flight Support in West Palm Beach, Florida. The artist associated with the Jet Art Group used the help of Flexjet and their plane to spray paint on a canvas to create distinctive paintings to celebrate the 50th anniversary of Learjet. (Photo by Thomas Cordy/The Palm Beach Post)
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08 May 2013 03:22:00
Bus Home By Dennis Oppenheim

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home
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16 Jul 2013 11:21:00