A traditional large puppet figure known as “Ondel-ondel”, wearing a face mask, performs on a sidewalk of the main road, as the outbreak of the coronavirus disease (COVID-19) continues in Jakarta, Indonesia, January 4, 2021. (Photo by Willy Kurniawan/Reuters)

Pablo Holcer tests out a VR system made by Neurable that allows the user to control with their thoughts as the EEG headset interprets thoughts into actions in the VR environment at SIGGRAPH 2017 in Los Angeles, California, July 31, 2017. (Photo by Mike Blake/Reuters)

Schick Hydro and Chanel Iman get guys #NakedFaced at the Schick Hydro Barbershop at The Sports Illustrated Swim City Event on February 9, 2015 in New York City. (Photo by Ilya S. Savenok/Getty Images for Schick)

A man photographs Anila Quayyum Agha's “Intersections” art work on the first day of ArtPrize at the Grand Rapids Art Museum in Grand Rapids, Mich. on Wednesday, September 24, 2014. (Photo by Emily Rose Bennett/AP Photo/The Grand Rapids Press)

Two women in traditional kimonos wear face masks to help curb the spread of the coronavirus as they visit the Sensoji temple in Tokyo on Friday, August 7, 2020. (Photo by Hiro Komae/AP Photo)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)