Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

In this Thursday, December 1, 2016 photo, Cat Bigney, part of the Oglala Native American tribe, waits on the shore of the Cannonball river for travelers to arrive by canoe at the Oceti Sakowin camp where people have gathered to protest the Dakota Access oil pipeline in Cannon Ball, N.D. So far, those at the camp have shrugged off the heavy snow, icy winds and frigid temperatures. But if they defy next week's government deadline to abandon the camp, demonstrators know the real deep freeze lies ahead. Life-threatening wind chills and towering snow drifts could mean the greatest challenge is simple survival. (Photo by David Goldman/AP Photo)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

A black bull sarcophagus stands at Puri Ubud during the Hindu Royal cremation – also know as the Pengabenan – for the late Anak Agung Niang Rai, mother of Gianyar Regent, Tjokorda Oka Artha Ardana Sukawati, at Puri Ubud in Gianyar Bali on August 17, 2011 in Ubud, Bali, Indonesia. Niang Rai died in a Denpasar hospital in May; her actual cremation will take place on August 18 and will involve a nine level, 24m high 'bade' or body carring tower, made by upto 100 volunteers from 14 local villages. It will be carried to the cremation by 4500 Ubud residents. (Photo by Ulet Ifansasti/Getty Images)

“In spring of 2010 I wanted to try something new and stopped being an architect. That 'something new' turned out to be photography. Wedding photography – to be exact. Today I travel around the world with my personal projects and commissions knowing that there is a lot more exiting stuff to be tried out. Don't be afraid to change something in your life, because for me that was one of the best decisions”. – Tadao Cern (Photo by Tadao Cern)

Artist Robert Mickelson is an expert sculptor whose medium of choice happens to be glass. There's something so pure and serene about glass. Perhaps it's the material's transparency coupled with its fragility. Whatever it may be, Mickelson knows how to accentuate the element's most appealing qualities. Each of his life-like sculptural pieces exude realism with a refined quality.