People pose on the red carpet at the premiere of “Barbie” on Sunday, July 9, 2023, at The Shrine Auditorium in Los Angeles. (Photo by Chris Pizzello/AP Photo)

The sun sets behind the Giant Swing, also known as Sao Chingcha, in Bangkok, Thailand, on March 6, 2025. (Photo by Athit Perawongmetha/Reuters)

Tattoo enthusiasts pose for a photo during the 14th Expotattoo Colombia Fair in Medellin, Colombia, on May 26, 2024. (Photo by Jaime Saldarriaga/AFP Photo)

Camp dwellers pump water from a well at Malkohi refugee camp in Jimeta, Adamawa State, Nigeria on February 19, 2019, four days ahead of the country's General elections set for February 23 after a last-minute rescheduling. Malkohi is a camp for internal displaced who fled their homes as Boko Haram insurgents advanced across north-eastern Nigeria. From their homes on the outskirts of Yola, capital of presidential candidate Atiku Abubakar's home state Adamawa, Malkohi residents say they feel forgotten. (Photo by Luis Tato/AFP Photo)

Rock and roll musician Elvis Presley during a press conference after his first performance at the International Hotel in Las vegas, Nevada on August 1, 1969. (Photo by Michael Ochs Archives/Getty Images)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

In this January 11, 2017 photo, Erika Martins uses black electrical tape to create a customer's bikini, in order to attain crisp tan lines, on her rooftop Erika Bronze salon in the suburb of Realengo in Rio de Janeiro, Brazil. Martins wears a microphone connected to an open speaker system in order to direct her assistants to clients who need more tanning lotion or a sprinkling of water on their skin. (Photo by Renata Brito/AP Photo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)