The Euro sculpture is partially reflected in a puddle on a cobblestone pavement in front of the headquarters of the European Central Bank in Frankfurt on Jan. 21. (Kai Pfaffenbach/Reuters)

Phuket, Thailand. The girl is in the pool, which is higher than the land, and the elephant is on the land behind the pool. The photographer used an underwater bag to get a half submerged image. (Photo by Justin Mott)

Jo-Anne McArthur’s book of photographs puts the spotlight on ethics of zoos around the world. Accompanied by essays by Born Free Foundation’s Virginia McKenna and philosopher Lori Gruen, the images and stories are also shared online through “A Year of Captivity”. Here: Asian Elephant, Denmark, 2016. (Photo by Jo-Anne McArthur/Born Free Foundation/The Guardian)

Damselflies covered in dew rest on a wild flower by the Po River, northern Italy on August 15, 2016. (Photo by Alberto Ghizzi Panizza/Barcroft Images)

National Geographic has created “Air, Land & Sea: the 50 greatest wildlife photographs” exhibition. Here: CT4 Crocodile cave on the Salamat river. Set up with Nathan Williamson last chip rain came while we were with the nomads. (Photo by Michael Nichols/National Geographic)

In this photograph taken on April 16, 2014, a veterinary staff member of the Sumatran Orangutan Conservation Programme center conducts medical examinations on a 14-year-old male orangutan found with air gun metal pellets embedded in his body in Sibolangit district in northern Sumatra island. (Photo by Sutanta Aditya/AFP Photo)

A supporter of BJP dances during celebrations after learning of initial poll results outside the party headquarters in New Delhi, on May 16, 2014. (Photo by Anindito Mukherjee/Reuters)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)