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The Lumix GX1 single lens reflex (SLR) camera with 14-42 mm powerzoom lens is displayed at the Panasonic booth at the 2012 International Consumer Electronics Show

The Lumix GX1 single lens reflex (SLR) camera with 14-42 mm powerzoom lens is displayed at the Panasonic booth at the 2012 International Consumer Electronics Show at the Las Vegas Convention Center January 10, 2012 in Las Vegas, Nevada. The new camera comes with an external viewfinder and flash and an ISO up to 12,800. The camera as shown sells for USD 949; the camera body alone is USD 799. (Photo by Ethan Miller/Getty Images)
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13 Jan 2012 11:07:00
A leopard leaps into a muddy waterhole to catch a fish on August 13, 2015, in the Savuti Channel in Botswana. A leopard leaps into a muddy waterhole to catch a fish in the Savuti Channel in Botswana. The spotted predator stood poised waiting for a fish to appear – before leaping in ferociously with lightening reflexes. (Photo by Greatstock/Barcroft Media)

A leopard leaps into a muddy waterhole to catch a fish on August 13, 2015, in the Savuti Channel in Botswana. A leopard leaps into a muddy waterhole to catch a fish in the Savuti Channel in Botswana. The spotted predator stood poised waiting for a fish to appear – before leaping in ferociously with lightening reflexes. Coated in a layer of thick dark mud the big cat emerged from the water clutching the fish in its jaws. The fishing leopards of Savuti are known for their unique skills in catching fish – but have rarely been photographed. (Photo by Greatstock/Barcroft Media)
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06 Sep 2015 13:00:00
Novice DSLR, 2nd Place. “Smile of a Friend”, American Crocodile (Crocodylus acutus) in Jucaro, Cuba. (Photo by Antonio Pastrana/The Ocean Art 2018 Underwater Photography Competition)

Novice DSLR (Digital single-lens reflex camera), 2nd Place. “Smile of a Friend”, American Crocodile (Crocodylus acutus) in Jucaro, Cuba. (Photo by Antonio Pastrana/The Ocean Art 2018 Underwater Photography Competition)
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21 Jan 2019 00:05:00
Concept Design Home Reversible Destiny Lofts MITAKA: In Memory Of Helen Keller By Reversible Destiny Foundation and Shusaku Arakawa

“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)
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30 Nov 2011 11:58:00
“Romantic”. A brown bear in Martinselkonen, Finland. (Photo by Valtteri Mulkahainen/Comedy Wildlife Photography Awards)

“Romantic”. A brown bear in Martinselkonen, Finland. (Photo by Valtteri Mulkahainen/Comedy Wildlife Photography Awards)
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22 Oct 2022 04:44:00
This is the moment a diver appears to shake hands with a giant 52ft whale. The divers were just metres away when one humpback whale – which weighs 36,000kg – extends its giant flipper in a peaceful manner. (Photo by Masa Ushioda/SeaPics/Solent News & Photo Agency)

This is the moment a diver appears to shake hands with a giant 52ft whale. The divers were just metres away when one humpback whale – which weighs 36,000kg – extends its giant flipper in a peaceful manner. (Photo by Masa Ushioda/SeaPics/Solent News & Photo Agency)
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11 May 2014 12:59:00
Self-portrait. (Photo by Flowertrip)

Self-portrait. (Photo by Flowertrip)
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15 Aug 2012 02:38:00
Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)
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10 Jun 2016 13:30:00