The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Photochromes are vibrant and nuanced prints hand-coloured from black-and-white negatives. Created using a process pioneered in the 1880s, these images offer a fascinating insight into the world when colour photography was still in its infancy. A Tour of the World in Photochromes is at the Swiss Camera Museum, Vevey, until 21 August. Here: Street food in the Strada del Porto in Naples, Italy, 1899. (Photo by Swiss Camera Museum/The Guardian)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

Cottbus Aviation Museum specialists prepare a Soviet Tupolev 134 A passenger plane for dismantlement in Gruenz, Germany, 10 July 2017. The team is preparing the 29 ton plane for transport from a garden in Gruenz to the Aviation Museum in Cottbus. The plane' s owner acquired it in 1991 and transported it with nine tractors and numerous helpers to his vegetable garden where he planned to open a cafe. The plane, formerly used by the East German Stasi for anti- terror operations training, is 30 metres long. (Photo by Jens Büttner/Zentralbild/DPA)

An artwork called “McJesus”, which was sculpted by Finnish artist Jani Leinonen and depicts a crucified Ronald McDonald, is seen on display as part of the Haifa museum's “Sacred Goods” exhibit, in Haifa, Israel, Monday, January 14, 2019. Hundreds of Christians calling for the sculpture's removal protested at the museum last week. (Photo by Oded Balilty/AP Photo)

A diver swims near sculptures during the inauguration of the underwater museum in Ayia Napa, Cyprus, 01 August 2021. At the new Ayia Napa Underwater Sculpture Museum (MUSAN), located in the Pernera area of Ayia Napa, visitors, both swimmers with mask and flippers and divers, will be able to tour around an underwater forest, the first of its kind in the world. (Photo by Jason Decaires Taylor/EPA/EFE)

Lesley Sutcliffe shelters from the rain next to a life-sized replica of the innermost coffin of King Tutankhamun by artist Amanda Stoner as it goes on display inside a traditional red telephone box which has been converted into museum, in Barnsley, South Yorkshire on Tuesday, November 15, 2022. The piece has been installed as part of Barnsley Museum's plan to showcase culture in unexpected places. (Photo by Danny Lawson/PA Images via Getty Images)

The book “Elektroschutz in 132 Bildern” (Electrical Protection in 132 Pictures) was published in Vienna in the early 1900s by a Viennese physician named Stefan Jellinek (1878-1968, a founder of the Electro-Pathological Museum). The pictures are nice and direct and unambiguous; they teach, graphically, that the surest way to kill yourself with electricity is to form a complete path from source (usually the bright red arrow) to ground (the screened back, pink arrow). Arrowheads provide the path for current flow. (Photo by The Vienna Technical Museum)