The camera rolls as actors dressed as historical Chinese soldiers act as though they have been hit by artillery, during filming of “The Last Prince” television series on location near Hengdian World Studios near Hengdian July 24, 2015. Hundreds of well-trained actors and other professionals are available at the Hengdian World Studios. The well-organised team coordinate complicated battle scenes to satisfy the huge appetite for productions about the war against Japan. (Photo by Damir Sagolj/Reuters)

This photo taken on February 1, 2018 shows a worker trimming the skin imperfections of a silicone doll at a factory of EXDOLL, a firm based in the northeastern Chinese port city of Dalian. With China facing a massive gender gap and a greying population, a company wants to hook up lonely men and retirees with a new kind of companion: “Smart” sеx dolls that can talk, play music and turn on dishwashers. (Photo by Fred Dufour/AFP Photo)

A kid from Sichuan provice smokes at an assistance center February 23, 2005 in Shenzhen, Guangdong Province, China. The kids, ranging in age from 7 to 16, are temporary residents of the center, one of the institutions established by China's departments of civil affairs to help and administer beggars, vagrants and juvenile delinquents, after rescission of China's compulsory detainment and relocation system. (Photo by Cancan Chu/Getty Images)

A costumed guest attends WonderCon Anaheim 2015 at Anaheim Convention Center on April 4, 2015 in Anaheim, California. (Photo by Araya Diaz/WireImage)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)

Chinese Artist Ai Weiwei holds some seeds from his Unilever Installation “Sunflower Seeds” at The Tate Modern on October 11, 2010 in London, England. The sculptural installation comprises 100 million handmade porcelain replica sunflower seeds. (Photo by Peter Macdiarmid/Getty Images)

A police officer removes a reveler from standing on a post as they guard and clear the street of revelers dressed in holiday themed costumes during SantaCon in New York Saturday, December 12, 2015. As thousands of Santa-suited merrymakers prepare to hit the city's streets and bars, organizers of the annual pub crawl say they're taking more steps than ever to deter naughty behavior. (Photo by Andres Kudacki/AP Photo)

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.