Grey seal pup “Nikolaus” licks a window at the seal enclosure in Friedrichskoog, Germany, 19 December 2014. The pup was abandoned by his mother and would not have a chance at survival without human help. Nikolaus will be fed at the enclosure for two to three months until he has reached the minimum weight of 45 kilograms for being released. (Photo by Daniel Reinhardt/EPA)

From Tibetan monks playing basket ball with ice thawing high up in the Himalayas, to the pollution that hides behind the Taj Mahal, here’s pick from 60 exceptional environmental photographs, by photographers and filmmakers from 70 countries, that will go on show at the Royal Geographical Society in London from 29 June to 21 August. The winners will be announced on 28 June. Here: Gravel Workmen of Chittagong, Bangladesh, by Faisal Azim. Gravel workmen look through a glass window at a gravel-crushing yard in Chittagong. Full of dust and sand, it is an extremely unhealthy environment for working, but still hundreds of people work here for their livelihoods. (Photo by Faisal Azim/2016 Atkins CIWEM Environmental Photographer of the Year)

A restaurant worker wearing a mask cleans the windows as the restaurant reopens amid the COVID-19 pandemic in Sao Paulo, Brazil, Monday, July 6, 2020. Bars, restaurants and beauty salons were allowed to re-open Monday after over three months of quarantine, and are required to observe preventative measures and reduced operating hours only during the day. (Photo by Andre Penner/AP Photo)

Hooded demonstrators vandalise a shop window in Mexico City, during the commemoration of the 50th anniversary of the 1968 Tlatelolco student massacre, on October 2, 2018. Fifty years ago, Mexican troops opened fire on student demonstrators, killing hundreds just days before Mexico City hosted the 1968 Olympics – one of the darkest episodes in a year of global turbulence. (Photo by Ronaldo Schemidt/AFP Photo)

Respect, Kronotsky nature reserve, Russia. The photographer’s cat, Ryska – her name means little lynx in Russian – stands outside their cabin and with aggressive posturing warns off a fox. In winter, foxes would regularly visit the cabin searching for food. If one peered in at the window, possible when the snow was deep, Ryska would sit on the other side, fur raised, and growl. When outside, she would hold her ground. The foxes were not always frightened and so encounters could be a sort of dance. (Photo by Igor Shpilenok/Unforgettable Behaviour/NHM)

In this photo taken in October 1917, provided by Russian State Documentary Film and Photo Archive, a machine gunner looks through a window at his position near the Kremlin in Moscow, Russia. The 1917 Bolshevik Revolution was long before the digital revolution allowed anyone to instantly document events. But the clumsy cameras of the time still caught some images that capture the period's drama. (Photo by Russian State Documentary Film and Photo Archive via AP Photo)

Kale grows at Kajodlingen farm in Gothenburg, Sweden, September 28, 2016. They are doing it on the rooftops, on tower block balconies and even on a disused railway: Swedes have discovered a passion for urban gardening as a way of growing fresh food and getting back in touch with nature. Part of a global movement, an increasing number of Swedish city-dwellers are growing their own in window boxes and allotments or are visiting public gardens built in or on industrial or office spaces. (Photo by Maxim Shemetov/Reuters)

The pictures made by Elizabeth Gadd are so beautiful, tranquil, and mesmerizing, that they wash over your soul in a wave of sadness. The same sadness that you feel when hearing a wonderful piece of music. The same sadness that enters your soul when you worry to death about your loved one, but everything turns out to be just fine. These aren’t just pictures… The pieces of art that Elizabeth, a 21-year-old self-taught photographer makes, are windows into fairytales; portals into other dimensions. Works so surreal, that it makes you wonder if the scenes that you are seeing were actually shot on this planet; that they are not figments of Beth’s imagination. (Photo by Elizabeth Gadd)