A “Maya” girl sits in an altar during the traditional celebration of “Las Mayas” on the streets in Colmenar Viejo, near Madrid, Spain, Friday, May 2, 2014. The festivity of the Maya comes from pagan rites and dates from the medieval age, appearing in ancient documents, it takes place every year in the beginning of May and celebrates the beginning off the spring. A girl between 7 and 11years is chosen as “Maya” and should sit still, serious, and quiet for a couple of hours in an altar on the street decorated with flowers and plants, afterwards they walk to the church with their family where they attend a ceremony. (Photo by Daniel Ochoa de Olza/AP Photo)

A visitor is reflected in a light installation at Mulberry Lights on Regent Street in London, UK on November 16, 2018. Visitors have fun taking selfies and posing with the colourful light installations. Mulberry Lights is a series of illuminating interactive experiences that celebrate how light, colour, shapes and people come together to create a modern British Christmas. (Photo by Imageplotter/Rex Features/Shutterstock)

Runner-up. “The heavens opened and the streets around Shibuya, Tokyo, were suddenly drenched in even more colour and movement. I was taking photos (my friend was holding the umbrella) when I noticed this woman at the crossing. I’m pleased with the futuristic feel of the image”. (Photo by Katherine Bridgestock/The Guardian)

“Born in 1965 at Tokyo, living at Tokyo. Starting shooting since 2008. 2011: 1x Photo Awards Honorable Mention (Street). 2012: Black and White Spider Awards 2nd Place (Portrait), Honorable Mention (Fashion); PX3 Gold Awards (Press); Israel Harvanism Street Contest 1st Place. 2013: Urban Picnic Street Contest Top30 Finalist; PX3 3rd Place (Portrait), Gold (Portrait - Personality), Gold (Press - People/Personality); Photolux + PhotoVogue Photo Contest 1st Place. 2014: Sony World Photography Awards Commended (Smile Category)”. – Tatsuo Suzuki. Photo: “Spring”. (Photo by Tatsuo Suzuki)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Girls dressed up in traditional Egyptian clothes from the early 20th century pose for a picture before they get their photos taken on the historical Al-Moez street of Islamic Cairo, Egypt, January 17, 2016. (Photo by Asmaa Waguih/Reuters)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)