These stunning photographs of the world’s last remaining Mongolian eagle keepers show the incredible bond between man and bird. The images were taken by photography tour guide Daniel Kordan, 29, in September 2018. (Photo by Daniel Kordan/Caters News Agency)

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)

In this Tuesday, February 11, 2014, photo, a trained monkey, that makes a living for her Pakistani owner by performing to a crowd in public and private places, sits held by a leash, in Rawalpindi, Pakistan. For Pakistanis who raise and train the monkeys they are an important source of income in an impoverished country, and they form a strong bond with the animals. The monkeys are usually captured in the wild when they are babies and then trained. A trained monkey can fetch 20,000 to 30,000 rupees ($190 to $285). (Photo by Muhammed Muheisen/Associated Press)

Nose to Nose; Human/Nature winner. “Doug Gimesy was documenting work at the Joey and Bat Sanctuary near Melbourne when he met a wombat (Vombatus ursinus) whose mother had been killed by a car. Gimesy watched as a young veterinary student bottle-fed the orphaned joey, then touched her nose to the joey’s in a tender moment of interspecies bonding”. (Photo by Doug Gimesy/BigPicture)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Jennifer Collier is an innovative textiles and crafts artist who uses a combination of natural and found materials. Through methods of weaving, waxing, bonding, fusing, trapping, embedding and stitching she creates unusual materials, which are then developed into garments and accessories.