A woman cuts her hair during a protest against the death of Iranian Mahsa Amini and the government of Iran on October 02, 2022 in Istanbul, Turkey. (Photo by Chris McGrath/Getty Images)

An orphaned giraffe nuzzling a wildlife keeper at Sarara camp in Kenya, one of 70 pictures being sold by Prints for Nature (printsfornature.com) to raise money for work by the Conservation International charity. This giraffe was rehabilitated and returned to the wild, as a number of others have done before him. Right now, giraffe are undergoing what has been referred to as a silent extinction. Current estimates are that giraffe populations across Africa have dropped 40 percent in three decades, plummeting from approximately 155,000 in the late 1980s to under 100,000 today. (Photo by Ami Vitale/National Geographic)

People wear masks to help guard against the Coronavirus in downtown Tehran, Iran, Sunday, February 23, 2020. On Sunday Iran's health ministry raised the death toll from the new virus to 8 people in the country, amid concerns that clusters there, as well as in Italy and South Korea, could signal a serious new stage in its global spread. (Photo by Ebrahim Noroozi/AP Photo)

Tlingit Tribal members from Klawock, Alaska Eva Rowan, center, and Jonathan Rowan, right, watch Okolani Tallett perform a hula dance at the Honolulu Museum of Arts, Thursday, October 22, 2015, in Honolulu. A totem pole, stolen by actor John Barrymore during a sailing trip to Alaska in 1931, was returned to the Tribe today by the Honolulu Museum of Arts where it was on display since the early 1980s. The totem pole was carved by the ancestors of the Tlingit Tribe. (Photo by Marco Garcia/AP Photo)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)

Women dancing at the disco club Xenon in New York City, USA in 1978. Xenon was a popular disco in Manhattan in the late 1970s and early 1980s. It was the only nightclub popular enough to compete with Studio 54. (Photo by Waring Abbott/Getty Images)

A boy sitting with his family looks up at a traditional Chinelo costumed dancer during a celebration 40 days after the birth of Jesus, in Xochimilco on the outskirts of Mexico City, February 2, 2015. The tradition of the Chinelo dates back to colonial times and the outfits and masks, which are supposed to resemble the faces of the Europeans and always sport an uptilted beard, became more elaborate between the 1800s and 1900s to make fun of the upper social classes. (Photo by Edgard Garrido/Reuters)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)