A visitor looks at a creation at the Artemide space during Milan Design Week, April 14, 2015. The Milan Design Week will be held until April 19. (Photo by Stefano Rellandini/Reuters)

Coca-cola mini kiosks by ogilvy & mather Berlin promote tiny coke cans. To promote the launch of its tiny coke cans, coca-cola and advertising agency ogilvy & mather berlin deployed and installed a series of miniature kiosks throughout five different major cities in Germany.

A man with a glitter beard marches along the San Francisco Pride parade route in San Francisco, California on Sunday, June, 26, 2016. (Photo by Josh Edelson/AFP Photo)

Iain Blake is an amateur photographer that has gained his popularity on the Internet thanks to his photoset of “Stone Footprints”. By finding the right stones and perfectly arranging them, Iain was able to make a number of very appealing pictures. For some reason, these “footprints” look adorable. It could have something to do with the cartoony appearance that they have. In our opinion, the finest photo out of this whole set is the one with a large footprint and a smaller one on top of it, as if a child has stepped into the footprint left by his or her parent. (Photo by Iain Blake)

Samurai commiting seppuku (hara-kiri) in Japan, circa 1880. (Photo by adoc-photos/Corbis via Getty Images)

Wildlife photographer Kevin Fleming has covered the world as a photographer for National Geographic and has been recognized America’s Best Observer by Readers Digest. His assignments have taken him into war and famine in Somalia, to the Mediterranean for a re-creation of the voyage of Ulysses and put him on a dogsled crossing the Canadian arctic. Now Kevin is working on his 27th book. Here: Red fox kits look out from a hollow log. (Photo by Kevin Fleming)

A Tibetan girl reacts as she gets ready to perform in a function organised to mark “Losar” or the Tibetan New Year in Kathmandu, Nepal, February 11, 2016. (Photo by Navesh Chitrakar/Reuters)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.