New Zealand Paralympic swimmer Cameron Leslie poses for portrait at the Millennium Pool on March 26, 2012 in Auckland, New Zealand. (Photo by Hannah Johnston/Getty Images)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

I wanted to create the smoke effects on animals I used on some few of my female subjects.
The hardest part was that while there were only faces, here there was the whole body that needed to be “smokeified”.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Hao Han (8), Shaolin kung fu student and child actor. Shaolin Monastery, Henan. (Photo by Mathias Braschler and Monika Fischer)

The Zammitt Family. “A portrait of the Zammitt family at their western Sydney home, with their dogs, Benji and Beau. Brian Zammitt (second from left) is the head of his booming family business, BAMS Hygiene Management, one of Australia’s leading deep cleaning companies, which specialises in disinfecting workplaces and locations contaminated with Covid-19. His wife, Sandra, and daughters Natalie and Louisa all play key frontline roles in the business”. (Photo by John Janson-Moore/Australia’s National Photographic Portrait Prize 2022)

The Photographers 2015 runs from 25 November to 23 December at Osborne Samuel and Beetles+Huxley, London. Here: Untitled, 1950, by Bert Hardy. (Photo by Bert Hardy/Beetles+Huxley & Osborne Samuel)