Sebastião Salgado is a Brazilian documentary photographer living in Paris. He has produced several books, and his work has been exhibited extensively around the world. His latest work, «Genesis», premieres at The Natural History Museum in London on April 11, on view through September 8, 2013. Photo: On South Georgia, a barren island in the far South Atlantic, a pair of southern elephant seal calves beckon before a colony of king penguins. “The male seals can grow to almost five tons,” says Salgado, “but these are just babies. This one looked at me with beautiful eyes”. (Photo by Sebastião Salgado/Amazonas/Contact Press Images)

“Baby jumping (El Colacho) is a traditional Spanish practice dating back to 1620 that takes place annually to celebrate the Catholic feast of Corpus Christi in the village of Castrillo de Murcia near Burgos. During the act – known as El Salto del Colacho (the devil's jump) or simply El Colacho – men dressed as the Devil (known as the Colacho) jump over babies born during the previous twelve months of the year who lie on mattresses in the street. ... The festival has been rated as one of the most dangerous in the world”. – Wikipedia

Photo: A man representing the devil leaps over babies during the festival of El Colacho on June 26, 2011 in Castrillo de Murcia near Burgos, Spain. The festival, held on the first Sunday after Corpus Cristi, represents the devil taking away original sin from the newly born babies by leaping over them. (Photo by Denis Doyle/Getty Images)

“The Falklands War, also known as the Falklands Conflict or Falklands Crisis, was a 1982 limited war between Argentina and the United Kingdom. The conflict resulted from the long-standing dispute over the sovereignty of the Falkland Islands and South Georgia and the South Sandwich Islands, which lie in the South Atlantic east of Argentina”. – Wikipedia

Photo: Kenneth “Rocky” Hudson, a Petty Officer from Gosport aboard HMS Hermes, the flagship of the Royal Navy, heading for the Falkland Islands. The troops are waging a Mexican moustache growing contest and Kenneth is wearing 30mm cannon shells slung around his body and sporting a fat cigar. (Photo by Fox Photos/Getty Images). 18th April 1982

“I have been photographing this group of urban foxes in Bristol for over 12 months; what started off as a chance encounter has become an obsession for me and has changed my feelings and attitudes towards urban foxes forever...”. – Ian Wade. (Photo by Ian Wade)

“They’ve been obsessing me for years. I searched and found them in Benares, on the banks of the river Gange (India). They arrive here to get rid of everything and to wait for death. This existence can last for years, sometimes decades, almost a life. Opposite to mine, well organised and filled as a human life can be, to try in vain to push the limits of its end”. – Denis Rouvre. (Photo by Denis Rouvre)

I would like to tell you why many artists, who like me, have painted portraits and landscapes in oils on canvas, worked with acrylics, watercolors, and pen and ink drawings, have turned to the art of gourd carving.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Turks stand in a silent protest in Kugulu Park in Ankara, Turkey, Wednesday, June 19, 2013. After weeks of sometimes-violent confrontation with police, Turkish protesters have found a new form of resistance: standing still and silent. The banner with an image of Turkey's founder Kemal Ataturk reads: “Which crazy person thinks they can put me in chains”. (Photo by Burhan Ozbilic/AP Photoi)