A boy sits in a canoe in front of a shed built on a raft in the Makoko fishing community on the Lagos Lagoon, Nigeria February 29, 2016. In Makoko, a sprawling slum of Nigeria's megacity Lagos, a floating school capable of holding up to a hundred pupils has since November brought free education to the waterways known as the Venice of Lagos. It offers the chance of social mobility for youngsters who, like most of the city's 21 million inhabitants, lack a reliable electricity and water supply and whose water-based way of life is threatened by climate change as well as rapid urbanisation. (Photo by Akintunde Akinleye/Reuters)

An Indian Hindu widow smeared with colors sits and watches others playing during Holi celebrations at the Gopinath temple, 180 kilometres (112 miles) south-east of New Delhi, India Monday, March 21, 2016. A few years ago this joyful celebration was forbidden for Hindu widows. Like hundreds of thousands of observant Hindu women they would have been expected to live out their days in quiet worship, dressed only in white, their very presence being considered inauspicious for all religious festivities. (Photo by Manish Swarup/AP Photo)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

The city of Meroë laid undiscovered for two millennia before British archaeologist John Garstang excavated it in the early 20th century. Garstang took the radical decision to document his discoveries with photography – and immortalised an ancient world. “Meroë: Africa’s Forgotten Empire” is being shown until 14 September at Garstang Museum of Archaeology, Liverpool. Here: A group visiting the excavations at Meroë, including (from left) Midwinter Bey, director of Sudan Railways; Lord Kitchener; General Sir Francis Reginald Wingate, Sirdar of the Egyptian Army; Professor Archibald Sayce; John Garstang; and Lady Catherine Wingate, 1911. (Photo by Garstang Museum of Archaeology)

Some of the best entries so far in the 2016 Insight Astronomy Photographer of the Year competition. There are two weeks left to enter, and the winners will be announced in September. Here: Aurora over Laksvatn Fjord, Laksvatn, Norway. The aurora borealis dances in the skies over the town of Laksvatn, with the Milky Way to the left. The image is a single shot with no compositing, only post-processing to bring out the aurora, and some colour corrections. The photographer Matt Walford said: “I love the way the northern lights look like they are just wistfully dancing over the fjord, framed by the mountains on either side”. (Photo by Matt Walford/National Maritime Museum)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”

Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)

The Fighting Cholitas are a group of female wrestlers who perform in El Alto, Bolivia. Tickets to the exhibitions cost $1. Like the general population of El Alto, which consists almost entirely of Aymara and Quechua residents, the Cholitas are indigenous. They wear braided hair, bowler hats and multilayered skirts in the ring. Here: Barbara Quisbert and Susana La Bonita, cholitas wrestlers, fight during their return to the ring after the coronavirus disease (COVID-19) restrictions, in El Alto outskirts of La Paz, November 29, 2020. (Photo by David Mercado/Reuters)