Brazilian tattoo artist Michel Praddo, also known as Diabao or Human Satan, and his wife Carol Praddo, known as Mulher Demonia or Demon Woman, take a picture with a fan at the beach shore in Praia Grande, Brazil on August 18, 2021. (Photo by Carla Carniel/Reuters)

A woman with “I'm Charlie” written on her hand takes part in a Hundreds of thousands of French citizens solidarity march (Marche Republicaine) in the streets of Paris January 11, 2015. French citizens will be joined by dozens of foreign leaders, among them Arab and Muslim representatives, in a march on Sunday in an unprecedented tribute to this week's victims following the shootings by gunmen at the offices of the satirical weekly newspaper Charlie Hebdo, the killing of a police woman in Montrouge, and the hostage taking at a kosher supermarket at the Porte de Vincennes. (Photo by Yves Herman/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A Muslim woman wearing a hijab walks past a lingerie advertisement in downtown Vancouver, British Columbia April 26, 2013. (Photo by Andy Clark/Reuters)

P.S. All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture (if available; this principle works anywhere on the site AvaxNews)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

A woman falls to the beach after she was attacked by three white women segregationists, when she attempted a wade-in with several African American and white desegregationist demonstrators, June 23, 1964, St. Augustine Beach, Fla. The people in the photo are unidentified. (Photo by AP Photo/JK)

A Rohingya refugee woman is helped from a boat as she arrives exhausted on the Bangladesh side of the Naf River at Shah Porir Dwip after fleeing her village in Myanmar, on October 1, 2017 in Cox's Bazar, Bangladesh. (Photo by Kevin Frayer/Getty Images)

A graffiti, portraying a woman, is seen in Medellin, Colombia on November 19, 2017. Mural graffitis from different artists, street art can be seen in almost every city on Earth, but street arts raw power and potential for change was felt by me most intensively in Medellins Comuna 13, previously one of Colombias most dangerous neighbourhoods, in fact Communa 13 was constant battleground between gangs, narcos, paramilitaries and the government, but today you would hardly recognise it. (Photo by Juancho Torres/Anadolu Agency/Getty Images)