A woman throws olives into a freshly-harvested pile beneath a tree, during the harvest season in Khan Yunis in the southern Gaza Strip on October 5, 2023. (Photo by Said Khatib/AFP Photo)

A woman dressed in Qing dynasty style clothing rides a bicycle along a street near the Forbidden City in Beijing on October 24, 2023. (Photo by Wang Zhao/AFP Photo)

A woman bathes into the icy water on Epiphany during a traditional Epiphany at the Great Palace Pond with the Church of the Holy Trinity in Ostankino in the background in Moscow, Russia, on Thursday, January 18, 2024. (Photo by Alexander Zemlianichenko/AP Photo)

A woman dressed as an angel takes a break from greeting children at a public library in Irpin, northwest of Kyiv, on December 23, 2022, amid the Russian invasion of Ukraine. (Photo by Genya Savilov/AFP Photo)

A woman receives money at a food stand using the light of her mobile phone during a power outage affecting Caracas and other regions of the country, in Caracas, Venezuela on August 30, 2024. (Photo by Leonardo Fernandez Viloria/Reuters)

A face mask is placed on one of the 'Three business men who brought lunch' statues on Swanston street on March 29, 2020 in Melbourne, Australia. All international arrivals into Australia from midnight on Saturday will be placed into mandatory quarantine in hotels for 14 days as the Federal Government increases restrictions to stop the spread of COVID-19. (Photo by Asanka Ratnayake/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

In the spring of 1965, within weeks of 3,500 American Marines arriving in Vietnam, a 39-year-old Briton named Larry Burrows began work on a feature for LIFE magazine, chronicling the day-to-day experience of U.S. troops on the ground – and in the air – in the midst of the rapidly widening war. The photographs in this gallery focus on a calamitous March 31, 1965, helicopter mission; Burrows’ “report from Da Nang”, featuring his pictures and his personal account of the harrowing operation, was published two weeks later as a now-famous cover story in the April 16, 1965, issue of LIFE.

Photo: Man your battle stations: The crew chief of helicopter Yankee Papa 13, lance corporal James C. Farley, mans an M-60 machine gun during a mission near Da Nang, Vietnam on March 31, 1965. (Photo by Larry Burrows/Time & Life Pictures)