A mysterious sea creature with some frighteningly sharp teeth washed up on a beach in England last week, where David Mackland snapped these photos. A Grind TV story reports that Mackland estimated the creature to be about 4-5 feet in length. (Photo by David Mackland/OurCarnoustie)

A frightened maid, played by Phoebe Hodgson, knocks a bust off a tall pedestal while dusting, in a scene from the play “Queen High” at the Queen's Theatre. (Photo by Sasha/Getty Images). 1926

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.

Pumpkins and a mock up skull are seen ahead of Halloween at Wilmersdorfer Strasse shopping street, as the coronavirus disease (COVID-19) outbreak continues, in Berlin, Germany, October 26, 2020. (Photo by Fabrizio Bensch/Reuters)

Grafitti by the illusive artist Banksy adorns the levee wall in the Lower Ninth Ward on August 29, 2008 in New Orleans, Louisiana. New works by the artist, whose paintings are also sold in galleries, have been popping up throughout New Orleans coinciding with the third anniversary of Hurricane Katrina. (Photo by Chris Graythen/Getty Images)

A view of the spectacular colour of clouds at sunset on January 17, 2005 in Beijing, China. (Photo by China Photos/Getty Images)

Catherine, Duchess of Cambridge speaks to soldiers as she arrives at Calgary Airport on July 7, 2011 in Calgary, Canada. (Photo by Chris Jackson/Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)