Cecilia Paredes was born in Lima, Peru, and lives and works in San Jose and Philadelphia, United States. Her recent photographic work is a conspicuous exploration of sensual surfaces in which the body is deliberately confused with nature and nature with the body.

With the world feeling more distant than ever, photographers were this year called on to translate their vision of the new humanity into images seen through their own eyes. Here: May. (Photo by Ami Vitale/2021 Lavazza Calendar)

A gravedigger has lost his job of 40 years after a photograph of him standing half-naked in a burial plot was deemed offensive and provoked outcry among local newspaper readers.

What do superheroes do when they’re not busy fighting bad guys and saving the world from destruction? Perhaps they’re drawing strength alone in the peace and quiet of the great outdoors. That’s the premise of French photographer Benoit Lapray‘s photo-manipulation series “The Quest for the Absolute.”

David Lazar is a travel photographer and musician from Brisbane, Australia, who loves to capture moments of life, beauty and culture through photography. He is drawn to locations which have a rich cultural background and he is especially interested in portrait and landscape photography.

A wheelbarrow loaded with two butchered pigs is seen at La Saline slaughterhouse in Port-au-Prince, Haiti, March 19, 2015. Reuters photographer Andres Martinez Casares: “The grunts of a pig or the bleating of a goat are one thing. Then there's the sound of animals about to be killed. That's something else. If you haven't heard that before, it's quite something... (Photo by Andres Martinez Casares/Reuters)

The sun begins to set over this rusty beachside mansion that has been left abandoned for more than 25 years in Thailand, June 2017. A deserted beachside mansion in southern Thailand has retained its beauty – despite no one living there for more than 25 years. In June this year abandoned photographer, Dax Ward, ventured to the Prachuap Khiri-Khan Province to capture the haunting attraction on camera. (Photo by Dax Ward/Barcroft Images)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)