Felipe Dana discovered photography at age 15 when he started working as an assistant for event and commercial photographers. At the close of 2009, he decided to focus his career solely on photojournalism. Dana has focused his work on documenting the consequences of social changes in slums due to upcoming major sports events scheduled for 2014 and 2016 in Rio de Janeiro, where he currently lives and works as a staff photographer for The Associated Press. Photo: A model wears a creation from the Triya summer collection during Fashion Rio in Rio de Janeiro, Brazil, Friday, April 19, 2013. (Photo by Felipe Dana/AP Photo)

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

Students take part in a fashion and design entrance examination at Hubei Institute of fine Arts on February 28, 2011 in Wuhan, Hubei Province of China. 202 students took part in the exam and only 24, (10 percent) of them will be enrolled in Hubei Institute of fine Arts. (Photo by ChinaFotoPress/Getty Images). WUHAN, CHINA – FEBRUARY 28

Venus Isabelle Palermo (born 8 February 1997), better known as VenusAngelic, is a Swiss-born YouTube personality, known for her doll-like appearance and fashion sense. Her YouTube channel has more than 120 million views, nearly 800,000 subscribers and 160 uploaded videos.

Swans swim over a lake, with the air temperature at about minus 35 degrees Celsius (minus 31 degrees Fahrenheit) as steam ascends above the water during sunset near the village of Urozhainy, Sovetsky district of Altai region, January 26, 2015. About 600 swans annually migrate to the lake, which is heated by warm springs, where they spend their winter being fed by yagers, which helps them to survive the severe cold. (Photo by Andrei Kasprishin/Reuters)

“A Hadaka Matsuri (“Naked Festival”) is a type of Japanese festival, or matsuri, in which participants wear a minimum amount of clothing; usually just a Japanese loincloth (called fundoshi), sometimes with a short happi coat, and rarely completely naked. Whatever the clothing, it is considered to be above vulgar, or everyday, undergarments, and on the level of holy Japanese shrine attire. Naked festivals are held in dozens of places throughout Japan every year, usually in the summer or winter. The most famous festival is held in Okayama, where the festival originated. Every year, over 9,000 men participate in this festival”. – Wikipedia

Photo: Japanese men wear loincloths as they splash about in freezing cold water during Saidaiji Naked Festival, at Saidaiji Temple on February 18, 2012 in Okayama, Japan. (Photo by Buddhika Weerasinghe/Getty Images)

A firefighter carries a woman from her car after it was caught in street flooding as a powerful storm moves across Southern California on February 17, 2017 in Sun Valley, California. After years of severe drought, heavy winter rains have come to the state, and with them, the issuance of flash flood watches in Santa Barbara, Ventura and Los Angeles counties, and the evacuation of hundreds of residents from Duarte, California for fear of flash flooding from areas denuded by a wildfire last year. (Photo by David McNew/Getty Images)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)