Nepalese Hindu devotees take part in a bathing ritual on the last day of the month-long Swasthani Festival in the Hanumante River at Bhaktapur on the outskirts of Kathmandu on February 22, 2016. Devotees mark the Swasthani Festival with fasting, and with women in particular undertaking rituals in the hope of a prosperous life for her family and conjugal happiness. (Photo by Prakash Mathema/AFP Photo)

A man paints a boy's body in preparation for the Grebeg ritual on June 25, 2014 in Tegallalang Village, Gianyar, Bali, Indonesia. During the biannual ritual, young members of the community parade through the village with painted faces and bodies to ward off evil spirits. (Photo by Putu Sayoga/Getty Images)

“Don't take the life too serious”. (Photo by David Olkarny)

Geraldine Moodie overcame harsh conditions to become western Canada’s first professional female photographer, capturing beautiful images in the country’s most remote regions. An exhibition, “North of Ordinary: The Arctic Photographs of Geraldine and Douglas Moodie”, is at Glenbow, Calgary, 18 February – 10 September. Here: Inuit woman, Kootucktuck, in her beaded attigi. Fullerton Harbour, Nunavut, February 1905. (Photo by Geraldine Moodie/The Guardian)

Fireplace for children, Trondheim, Norway, by Haugen/Zohar. The children of Trondheim come to sit around the fire and tell stories in this whimsical cone hut, made with materials recycled from a construction site. (Photo by Jason Havneraas/The Guardian)

A soldier walks on the bank of the river in central Pyongyang, North Korea on April 16, 2017. (Photo by Damir Sagolj/Reuters)

People walk under Australia's iconic landmark Harbour Bridge in Sydney on April 3, 2019, as heavy fog blankets the city. Low visibility due to heavy fog affected traffic in the city and caused flight delays at the Sydney airport. (Photo by Saeed Khan/AFP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)