A German Air Force Officer sits astride a dead boar outside a house where he is stationed near the Western Front, in this 1918 handout picture. This picture is part of a previously unpublished set of World War One (WWI) images from a private collection. The pictures offer an unusual view of varied and contrasting aspects of the conflict, from high tech artillery to mobile pigeon lofts, and from officers partying in their headquarters to the grim reality of life and death in the trenches. The year 2014 marks the centenary of the start of the war. (Photo by Reuters/Archive of Modern Conflict London)

Miners work extremely long days under the hot sun and the hours are often longer in illegal mines in Ghana, West Africa, 2014. An Australian photographer has captured the harsh reality of illegal mining under the unforgiving sun with these Ghanaian miners. (Photo by Heidi Woodman/Barcroft Images)

Wrestler Kairi Hojo jumps at her opponent Mieko satomura during their Stardom female professional wrestling show at Korakuen Hall in Tokyo, Japan, July 26, 2015. Professional women's wrestling in Japan means body slams, sweat, and garish costumes. But Japanese rules on hierarchy also come into play, with a culture of deference to veteran fighters. The brutal reality of the ring is masked by a strong fantasy element that feeds its popularity with fans, most of them men. (Photo by Thomas Peter/Reuters)

The Zelda Project is a Los Angeles, CA based group of friends who seek to bring to life the characters, settings, and overall feel of Ocarina of Time through photography and film. Our ultimate goal is to create the characters as they would appear in reality to the best of our abilities, placing them in beautiful sceneries true to their Hyrulean counterparts, and creating elaborate photosets utilizing art ranging from costuming to 3D CGI.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.