Bystanders look at MV Wakashio bulk carrier that had run aground and from which oil is leaking near Blue Bay Marine Park in south-east Mauritius on August 6, 2020. The carrier, belonging to a Japanese company but Panamanian-flagged, ran aground on July 25 and its crew was evacuated safely. The ship was empty at the time but was carrying 200 tonnes of diesel and 3,800 tonnes of bunker fuel, according to the local press. (Photo by Dev Ramkhelawon/L'Express Maurice/AFP Photo)

A woman wearing a face mask walk through Shinjuku area on January 07, 2021 in Tokyo, Japan. Japanese Prime Minister Yoshihide Suga is set to declare a state of emergency in Tokyo and neighboring three prefectures, Kanagawa, Saitama, and Chiba on Thursday, following the recent surge in COVID-19 cases in the region. Tokyo saw over 2000 new cases per day for the first time on January 7, 2021. (Photo by Yuichi Yamazaki/Getty Images)

A Japanese woman and her daughter leave Daikichi kimono rental shop Wednesday, June 22, 2022, in Tokyo's Asakusa area famous for sightseeing, before attending their family friend's wedding. Japan is bracing for a return of tourists from abroad, as border controls to curb the spread of coronavirus infections are gradually loosened. Yusuke Otomo, who owns the kimono rental shop, can barely contain his excitement. (Photo by Hiro Komae/AP Photo)

A woman gets ready for her performance at the backstage of the Heart restaurant in Ibiza on June 29, 2015. Take the Spanish chefs Ferran and Albert Adria, the Cirque du Soleil founder French Guy Laliberte and contemporary artists such as Japanese Takashi Murakami. Put them together on the luxurious Mediterranean island of Ibiza and shake well to get “Heart” an innovative multi-sensory experience. The idea of provoking emotions through a collision of avant-garde creativities appeared two years ago from Adria brothers and Laliberte's passion about art and cuisine. They met a decade ago at the famous restaurant El Bulli, closed in 2011. (Photo by Jaime Reina/AFP Photo)

A little boy shouts “Earthquake!” during a shouting contest, part of the annual evacuation drill on the National Disaster Prevention Day on September 1, 1986. The contest was aimed at teaching youngsters the importance of telling neighbors quickly and loudly of a disaster when it hits. The drill is annually conducted through out the country on the day marking the anniversary of the Great Kanto Earthquake that hit the Japanese capital and its vicinity on September 1, 1923, killing more than 104,000 people. (Photo by Sadayuki Mikami/AP Photo)

A large balloon of a face of “ojisan”, a middle aged man, floats in the sky above the grounds of Nishiki elementary school in Utsunomiya in Tochigi prefecture, 100km north of Tokyo on December 21, 2014. Members of art group “Me”, meaning “eye” in Japanese and the Utsunomiya Museum of Art launched an art installation “The Day an Ojisan's Face Floated in the Sky”, a 15-meter by 10-meter face balloon of the depicted man, who was auditioned in the city, looking down on his home town from the sky. (Photo by Yoshikazu Tsuno/AFP Photo)

Japanese craftsman Sumikazu Nakata writes the Chinese character of “victory”, which is a part of the phrase “Certain victory”, as he adds the final touches on a Daruma doll, which is believed to bring good luck, at his studio “Daimonya” in Takasaki, northwest of Tokyo November 23, 2014. Daruma dolls, representing the Indian priest Bodhidharma, the founder of Zen Buddhism in China, is used to bring luck. It is also a favorite item of election candidates where they traditionally paint only one eye on the doll when they start their campaign and paint the other eye if they win in the election. (Photo by Yuya Shino/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)