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A horse handler poses with a horse during a beach parade at Muizenberg beach, in Cape Town, South Africa on January 5, 2024. (Photo by Esa Alexander/Reuters)

A horse handler poses with a horse during a beach parade at Muizenberg beach, in Cape Town, South Africa on January 5, 2024. (Photo by Esa Alexander/Reuters)
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28 Jan 2024 08:26:00
A woman hangs red chillies to dry outside her house at Khokana village on the outskirts of Kathmandu on August 5, 2020. (Photo by Prakash Mathema/AFP Photo)

A woman hangs red chillies to dry outside her house at Khokana village on the outskirts of Kathmandu on August 5, 2020. (Photo by Prakash Mathema/AFP Photo)
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01 Sep 2020 00:05:00
Cattle are the most important way of livelihood for the Karamojong: they provide milk, meat, blood and money when sold, Karamoja, Uganda, February 2017. (Photo by Sumy Sadurni/Barcroft Images)

Cattle are the most important way of livelihood for the Karamojong: they provide milk, meat, blood and money when sold, Karamoja, Uganda, February 2017. (Photo by Sumy Sadurni/Barcroft Images)
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17 Feb 2017 00:02:00
A Turkana tribeswoman reacts after an accidental fire of a shelter in Turkana settlement in Ilemi Triangle, Kenya, July 15, 2019. (Photo by Goran Tomasevic/Reuters)

A Turkana tribeswoman reacts after an accidental fire of a shelter in Turkana settlement in Ilemi Triangle, Kenya, July 15, 2019. The Ilemi Triangle, a disputed sliver of land along the border with Ethiopia and South Sudan, is the northernmost tip of Turkana, Kenya's poorest county. A series of deadly clashes between the Turkana community and other ethnic groups that they said had crossed from South Sudan have put people on edge, to the point of posting lookouts. (Photo by Goran Tomasevic/Reuters)
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25 Sep 2019 00:05:00
People walk past a New Year fir tree made of toys at a park in Krasnoyarsk, Siberia, Russia January 2, 2017. (Photo by Ilya Naymushin/Reuters)

People walk past a New Year fir tree made of toys at a park in Krasnoyarsk, Siberia, Russia January 2, 2017. (Photo by Ilya Naymushin/Reuters)
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03 Jan 2017 11:31:00
Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch as a friend of hers looks on at Beijing Now Art Gallery, in Beijing August 11, 2014. (Photo by Jason Lee/Reuters)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch as a friend of hers looks on at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)
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16 Aug 2014 10:37:00
Visitors look on as a man (front) inserts two live snakes through his nose and mouth during a performance at an amusement park to celebrate the 65th anniversary of the founding of the People's Republic of China and the 7-day national day holiday, in Jinhua, Zhejiang province October 1, 2014. (Photo by Reuters/Stringer)

Visitors look on as a man (front) inserts two live snakes through his nose and mouth during a performance at an amusement park to celebrate the 65th anniversary of the founding of the People's Republic of China and the 7-day national day holiday, in Jinhua, Zhejiang province October 1, 2014. (Photo by Reuters/Stringer)
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04 Oct 2014 11:22:00
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. (Photo courtesy of The Metropolitan Museum of Art)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)
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12 May 2013 10:13:00