Emma Raducanu of the United Kingdom looks on during a women's singles match against Anna Kalinskaya on day 6 of the Mubadala Citi DC Open 2025 at William H.G. FitzGerald Tennis Center on July 26, 2025 in Washington, DC. (Photo by Scott Taetsch/Getty Images)

American singer Sabrina Carpenter performs onstage at the 2024 Coachella Valley Music and Arts Festival at Empire Polo Club on April 12, 2024 in Indio, California. (Photo by Emma McIntyre/Getty Images for Coachella)

Hungary's athlete Anna Toth lies on track after a fall in the women's 100m hurdles semifinal during the European Athletics Championships at the Olympic stadium in Rome on June 8, 2024. (Photo by Anne-Christine Poujoulat/AFP Photo)

Invasion (laser girls) 2017. “I’m always thinking about my art practice, so any experience I have may spike a visual when I have an idea in mind. An example is that, when I was thinking about the Invasion series, I was inspired by Alfred Hitchcock’s movie The Birds (1963). I love Hitchcock’s other movies and have been contemplating a series based on Rear Window (1954). I also find inspiration outside the cinema in music clips and magazines”. (Photo by Michael Cook/Perimeter Books)

Bujang, a 35-year-old male orangutan rescued from a circus in Sumatra, washes his face on a sanctuary island surrounded by a river where non-releasable orangutans are protected for life at the Samboja Lestari Orangutan Rehabilitation Center run by the non-profit Borneo Orangutan Survival (BOS) Foundation in Samboja, East Kalimantan, on July 12, 2024. (Photo by Yasuyoshi Chiba/AFP Photo)

A woman carries a heavy load on her head while walking along the narrow Kilo ZeroKilo 30 road near Bentiu in Unity State, South Sudan, on November 6, 2025. The eroded and flood-affected road compels residents to travel long distances on foot to access supplies in Bentiu and Rubkona. (Photo by Rian Cope/AFP Photo)

A group of Ashkenazi jews in Jerusalem. (Photo by Hulton Archive/Getty Images). Circa 1885

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)