Emma Watson poses at the winners boards at the Sony Ericsson Empire Film Awards at the Grosvenor House Hotel on March 9, 2008 in London England. (Photo by Dan Kitwood/Getty Images)

Children stand in a boat at the banks of the polluted Yamuna River during a dust haze as they wait to give a ride to worshippers in New Delhi during World Environment Day June 5, 2010. (Photo by Reinhard Krause/Reuters)

An Ambassador car, licensed as taxi rolls past other vehicles through a busy road in Kolkata, india, Monday, May 26, 2014. India's oldest car factory has abruptly suspended production of the hulking Ambassador sedan that has a nearly seven-decade history as the car of the Indian elite. (Photo by Bikas Das/AP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

People run away as a building is toppled during a controlled demolition as part of an urban transformation in Ankara, Turkey, February 3, 2014. (Photo by Serap Doganyigit/Reuters)

Aerial view of flower fields near the Keukenhof park, also known as the Garden of Europe, in Lisse April 9, 2014. Keukenhof, employing some 30 gardeners, is considered to be the world's largest flower garden displaying millions of flowers every year. (Photo by Yves Herman/Reuters)

A traffic policewoman shows her ink-stained fingers after casting her ballot at a polling station, during early voting for the parliamentary election in the northern Iraqi province of Dohuk, April 28, 2014. Iraq will be holding its national elections on April 30. (Photo by Ari Jala/Reuters)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)