From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

Breath at sunset, captures a sea turtle at a dive site called Black Rock. Kāʻanapali, Hawaiʻi, August 2013. (Photo by Christopher Doherty/Smithsonian.com)

“My goal was to capture the image of a storm that emulated an atomic explosion”, Dobrowner says of this picture. Here: “Monsoon”, Lordsburg, N.M., 2010. (Photo by Roger Hill)

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)

An employee controls the arms of a manned biped walking robot “METHOD-2” during a demonstration in Gunpo, South Korea, December 27, 2016. It stands 13-feet (3,96 m) tall, weighs 1.3 tons and wields a pair of 286-pound (129,73 kg), motion-tracking metal arms. (Photo by Kim Hong-Ji/Reuters)

A Zombie Santa is pictured Death Yard Haunted Attraction in Hendersonville, Tennessee December 10, 2014. The Nashville-area haunted house is getting into the Christmas spirit this weekend, with Zombie Santa, his undead elves and a demonic reindeer going on the attack for fun and charity. (Photo by Harrison McClary/Reuters)

Birds behaviour winner: Land of the Eagle by Audun Rikardsen, Norway. High on a ledge, on the coast near his home in northern Norway, Rikardsen carefully positioned an old tree branch that he hoped would make a perfect golden eagle lookout. To this, he bolted a tripod head with a camera, flashes and motion sensor attached, and built himself a hide a short distance away. From time to time, he left road‑kill carrion nearby. Very gradually – over the next three years – a golden eagle got used to the camera and started to use the branch regularly to survey the coast below. (Photo by Audun Rikardsen/2019 Wildlife Photographer of the Year)