South Korean youths play Pokemon Go on July 15, 2016 in Sokcho, South Korea. South Korea is not one of the initial Pokemon Go released countries, nor is the game likely to be released officially any time soon as the South Korean government does not allow Google to use its map; however, South Korean game enthusiasts are now visiting a handful of loophole areas in the north eastern side of the country near the border of North Korea to join the global frenzy of Pokemon Go. (Photo by Jean Chung/Getty Images)

James Spears takes his 1964 German built Amphicar for a drive on Lake Mead in Nevada May 6, 2015. Its a journey many drivers dream of, rather than travelling round a lake simply driving through it. But for James Spears it may be time to make the most of the waters in Lake Mead in Nevada, as water levels are plunging as California struggles to cope with a fourthsuccessive year of droughts. (Photo by Mike Blake/Reuters)

Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

Light is the sole reason why life exists. It provides us with warmth; it allows us to see; it nourishes all the living things on this planet. Many painters, especially the masters of Old Renaissance Period, have recognized the importance of light and its intimate connection with nature and life itself. In their paintings they gave tribute to light, giving the impression that their paintings had a light source hidden within them. Al Hogue, the artist who created the paintings that you see before you, has studied their techniques for many years. As time went by, light permeated not only his paintings by also his life, becoming his sole philosophy.

Axel Erlandson (December 15, 1884 – April 28, 1964) was a Swedish American farmer who shaped trees as a hobby, and opened a horticultural attraction in 1947 advertised as "See the World's Strangest Trees Here," and named "The Tree Circus."
The trees appeared in the column of Robert Ripley's Believe It or Not! twelve times. Erlandson sold his attraction shortly before his death. The trees were moved to Gilroy Gardens in 1985.

These photographs are the work of urban explorer Dr Bradley Garrett who made headlines back in 2012 when he posted a series of snaps from the top of The Shard skyscraper while it was still under construction. Garrett, now a researcher at the University of Oxford, took these shots during his time with the London Consolidation Crew (LCC), a loose collection of urban explorers based in the English capital. Photo: Bradley Garrett stands on the edge of the Ritz-Carlton Chicago as lightning strikes in the distance in Chicago, US. (Photo by Bradley L. Garrett/Barcroft Media)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)