Photographer Martin Schoeller examines the visual nuances of twins. Schoeller was born in Munich, Germany in 1968, studied photography at Lette Verein in Berlin and lives in New York. (Photo by Martin Schoeller)

July 23, 2013 – Kampala, Uganda. Helene and Diana train daily more than 2.5 hours by Innocent Kapalata, a passionate and ambitious former boxer. Amidst the shanty homes a group of ambitious fighters are trying to reach for a better life. (Photo by Peter Bauza/ZUMA Press/VISUAL Press)

A representative of Makinarium production, specialized in special visual effects, displays a latex mask for horror movie on a stand inside the Festival Palace during the 69th Cannes Film Festival in Cannes, France, May 14, 2016. (Photo by Regis Duvignau/Reuters)

A Sotheby's employee poses with a “Return of the Jedi” promotional C-3PO Helmet 1983, estimated at £15,000-£25,000 created by George Lucas' visual effects company during a photocall at Sotheby's in London, Britain on December 6, 2019. (Photo by Thomas Mukoya/Reuters)

Visitors browse in the starry Art Museum. Shanghai, China, May 13, 2020. The exhibition hall uses a large number of mirror devices, combined with the layout of acousto-optic, to create a visual scene and spatial effect. (Photo by Costfoto/Barcroft Media via Getty Images)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.