Mickey McCooper, born 1972 as Michel Valentino in Stuttgart-Germany, is a photo-artist, filmmaker, painter, and media-entrepreneur. He is well known for the broad range of subject matter he is able to interpret, he is widely recognized for his unusual people portraiture, his editorial photography, his photo illustrations, photographic design and his extraordinary repertoire of art photography, painings and drawings.

Photo: Space Invaders, 2011. (Photo by Mickey McCooper)

Models promote a condom brand at the first Shenzhen s*x Culture Festival on September 21, 2007 in Shenzhen of Guangdong Province, China. The festival aims to increase awareness about reproductive health and popularise s*x education. (Photo by China Photos/Getty Images)

A painting of a Trabant car bursting through a wall in post unification Berlin, August 1993. (Photo by Steve Eason/Hulton Archive/Getty Images)

Model Bar Refaeli arrives at amfAR's Cinema Against AIDS 2007 at Le Moulin de Mougins on May 23, 2007 in Mougins, France. The amfAR Foundation raises funds for research, education and treatment of AIDS/HIV worldwide.

Jo-Anne McArthur’s book of photographs puts the spotlight on ethics of zoos around the world. Accompanied by essays by Born Free Foundation’s Virginia McKenna and philosopher Lori Gruen, the images and stories are also shared online through “A Year of Captivity”. Here: Asian Elephant, Denmark, 2016. (Photo by Jo-Anne McArthur/Born Free Foundation/The Guardian)

Models showcase Valentine's Day underwear celebrating the results of a recent survey revealing that men find the lingerie, boxer shorts and vests, the biggest turn on ahead of February 14 Valentine celebrations, at Waterloo on February 2, 2006 in London, England. (Photo by Gareth Cattermole/Getty Images)

Two drunk race-goers make their way home after the last race of the third day of the Royal Ascot horse racing week June 19, 2003 in Ascot, England. (Photo by Scott Barbour/Getty Images)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)