Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

Anilson Costa, reveller of the annual block party “Ceu na Terra”, walks along the Santa Teresa neighborhood where the block party used to be celebrated, as Carnival celebrations have been canceled, amid the coronavirus disease (COVID-19) pandemic, in Rio de Janeiro, Brazil on February 12, 2021. (Photo by Pilar Olivares/Reuters)

A Haitian woman lies in a trance during a voodoo ceremony in Souvenance, a suburb of Gonaives, 171 km north of Port- au- Prince, on April 16, 2017. Haitian voodoo followers arrived in Souvenance to take part in the voodoo ceremonies held during Easter weekend. (Photo by Hector Retamal/AFP Photo)

Family Donation by Si Thu Ye Myint (Myanmar, Winner). Myin Twin village in upper Myanmar. (Photo by Si Thu Ye Myint/Sony World Photography)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)

Michelle Rodriguez attends the De Grisogono Party during the 71st annual Cannes Film Festival at on May 15, 2018 in Antibes, France. (Photo by INSTARimages.com)

A robot named “Robovie-II”, developed by Japanese robotics research institution ATR, moves around at a grocery store during a shopping assisting experiment by utilizing the robot in an ubiquitous network technology platform in Kyoto, western Japan January 6, 2010. (Photo by Yuriko Nakao/Reuters)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)