A Thorneycroft motor van as used during World War I. (Photo by Topical Press Agency/Getty Images). August 1914

A man cries in a graveyard during the funeral of Nasser Ali Afglio, a young Libyan rebel killed during battle with government troops loyal to Libyan ruler Moammar Gaddafi April 19, 2011 in Misrata, Libya. The graveyard where Nasser was buried has hundreds of simple concrete graves; many dozens are those that have been killed during the last two months of fighting in the besieged town. Thousands of civilians are trapped in Misrata as fighting continues between Libyan government forces that have surrounded the city and anti-government rebels there. (Photo by Chris Hondros/Getty Images)

Bavarian farmers load their cows on a boat before they drive over the picturesque Lake Koenigssee, Germany, October 3, 2015. Before the winter season approaches the farmers have to drive their cattle down from their Alpine meadows to a narrow valley that can only be reached by boat. (Photo by Michael Dalder/Reuters)

The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)

The top layer of muskeg and earth (L) is removed at the Syncrude tar sands operations near Fort McMurray, Alberta, September 17, 2014. Syncrude currently produces 350,000 barrels per day of high quality light, low sulphur crude oil according to company reports. (Photo by Todd Korol/Reuters)

This September 22, 2014 photo, shows a building with street art murals in the Santurce neighborhood in San Juan, Puerto Rico. (Photo by Ricardo Arduengo/AP Photo)

“Photo mechanic” and photographer Ionut Caras creates surreal concepts by combining the everyday with the unthinkable. His use of light and tone takes the viewer into a bizarre and beautiful world only seen in storybooks and our dreams. Photo: “The observer”. (Photo by Ionut Caras)