2016 Rio Olympics, Rhythmic Gymnastics, Final, Individual All-Around Final, Rotation 1, Rio Olympic Arena, Rio de Janeiro, Brazil on August 20, 2016. Melitina Staniouta (BLR) of Belarus competes using the hoop. (Photo by Ruben Sprich/Reuters)

A couple enjoys viewing illuminated autumn leaves with projection mapping at Shinjuku Gyoen National Garden during a preview at the garden in Tokyo, Japan on November 22, 2023. The illumination will start on 22 November through 03 December 2023. (Photo by Kimimasa Mayama/EPA/EFE)

A man helps his partner on the traditional costume as they visit to the Temple of Heaven during the last day of the week-long China’s National Day in Beijing, Thursday, October 7, 2021. (Photo by Andy Wong/AP Photo)

“A series of ads, developed as a creative idea for UN Women by Memac Ogilvy & Mather Dubai, uses genuine Google searches to reveal the widespread prevalence of sexism and discrimination against women. Based on searches dated 9 March, 2013 the ads expose negative sentiments ranging from stereotyping as well as outright denial of women’s rights”. – UN Women. (Photo by Ogilvy & Mather, Dubai, UAE/UN Women)

Paris Jackson, left, and Caroline D'Amore kiss in the press room at the MTV Video Music Awards at The Forum on Sunday, August 27, 2017, in Inglewood, Calif. (Photo by Jordan Strauss/Invision/AP Photo)

Michelle Rodriguez attends the De Grisogono Party during the 71st annual Cannes Film Festival at on May 15, 2018 in Antibes, France. (Photo by INSTARimages.com)

Content Creator Tina Lee poses for pictures during a media preview of Summit at One Vanderbilt in New York, October 1, 2021. The Summit viewing deck is spread across the top four floors on One Vanderbilt in Manhattan, the fourth tallest building in the city. (Photo by Timothy A. Clary/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)