Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

This photo taken on November 6, 2023 shows people posing for photos next to the statue of “Hachiko” in front of Shibuya station in central Tokyo, ahead of the 100th anniversary of the legendary dog's birth this month. A century since its birth, the tale of the loyal companion who had waited at the Shibuya train station for its master to come home – not knowing he had already died – continues to inspire the public, who have made the statue a singular landmark at a glitzy hub of Tokyo's street culture. (Photo by Richard A. Brooks/AFP Photo)

A view of the construction site of the Chateau de Guedelon near Treigny in the Burgundy region of France, September 13, 2016. Blacksmiths, stonemasons and quarry men are hard at work in a Burgundy forest building a 13th-century-style castle using the most basic tools and materials, replicating the methods used hundreds of years ago to better understand them. (Photo by Jacky Naegelen/Reuters)

Indian ivory furniture legs in the shape of a goddess from the first century AD are displayed in the 'Afghanistan Crossroads of the Ancient World' exhibition at The British Museum on March 1, 2011 in London, England. Displaying treasures that were in great danger during the years of civil war and Taliban rule, these surviving artifacts reveal Afghanistan's ancient culture, its fragility and its remarkable place in world history. The exhibition opens to the public on March 3 and runs until July 3, 2011. (Photo by Peter Macdiarmid/Getty Images). LONDON, ENGLAND – MARCH 01

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

Performers take part in a parade during the annual Cervantes market (Mercado Cervantino) in the hometown of famous Spanish writer Miguel de Cervantes, Alcala de Henares, Spain, October 9, 2015. The Mercado Cervantino, which represents a market and fair from the 16th and 17th centuries, takes place in the city's historic centre and commemorates Miguel de Cervantes' baptism, which took place on October 9, 1547. (Photo by Susana Vera/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)