School children celebrate after being rewarded for their dance performance during India's Independence Day celebrations in Chandigarh, India, August 15, 2015. Indian Prime Minister Narendra Modi's independence day speech focused on measures his “Team India” had rolled out to include millions of poor Indians in the banking and insurance systems, policies for workers and farmers and successes in the fights against inflation and corruption. (Photo by Ajay Verma/Reuters)

For some reason, everything that comes from Australia is either very cute or very poisonous; sometimes cute and poisonous at the same time. For example, Slow Loris, which you probably have seen eating a ball of rice on YouTube, is actually a very poisonous creature, despite its extreme cuteness. Goodfellow’s tree-kangaroos, on the other hand, are all cuteness and no poison. Just look at its cute little snout and furry paws, as it gingerly scratches its stomach, while sitting on its hind legs! If you don’t find this creature adorable, nothing will be able to thaw your stone-cold heart.

For the past 20 years,Marco has divided his time photographing, traveling, and living between italy and France. He regularly participates in workshops in Paris. Sharpening his technical skills and learning to take risks. He has been investigating various photographic styles, including macro-photography of precious stones and insects, portraits and weddings. All of these subjects have given him the opportunity to bring his love for the medium into areas which challenges his capacity to be creative.

The landscape series we’ve selected from Leo Caillard photography is a series of panoramic views of negative and information-filled spaces. The French photographer describes his remarkable work in the following terms: “a landscape series I chose to shoot in very high definition. A work about the action of humans in diverse types of environments; void of activity or full of information.

In this Monday, March 10, 2014 photo, a 9,000 year-old mask is on display at the Israel Museum in Jerusalem. The exhibition called “Face To Face” shows eleven stone masks, said to have been discovered in the Judean desert and hills near Jerusalem, which date back 9,000 years and offer a rare glimpse at some of civilization's first communal rituals. (Photo by Tsafrir Abayov/AP Photo)

“We take rusty old junk and we put love into it”. The old Motor City has a unique style in bicycles these days: from fat wheels and fake fuel tanks to stretched cycles with powerful sound systems – and even a family-sized BBQ. “Detroit’s custom bike scene developed alongside Slow Roll, a weekly cycle ride started in 2010 by Jason Hall and Mike MacKool. Now upwards of 2,000 people turn up each Monday to cruise a different part of the city. The week I go the crowd seems evenly split between black and white, male and female, city and suburbs. It’s the most inclusive cycle event I’ve ever witnessed”. (Photo by Jason Walker/Slow Roll Monday Nights)

Demonstrators help a fellow protester during clashes with security forces during an opposition rally in Caracas, Venezuela on April 4, 2017. Protesters clashed with police in Venezuela Tuesday as the opposition mobilized against moves to tighten President Nicolas Maduro' s grip on power. Protesters hurled stones at riot police who fired tear gas as they blocked the demonstrators from advancing through central Caracas, where pro- government activists were also planning to march. (Photo by Carlos Garcia Rawlins/Reuters)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.