American actress Nicola Peltz poses on the red carpet as she arrives for the world premiere of the movie “Transformers 4: Age of Extinction” in Hong Kong Thursday, June 19, 2014. The latest installment in the blockbuster series of “Transformers” films is making its world premier not in the usual entertainment hubs of Los Angeles or New York but in the wealthy Chinese metropolis of Hong Kong, the latest sign of Hollywood's increasing focus on China's booming film market. (Photo by Kin Cheung/AP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

A freediver uses weights, yoga and camera tricks to create the illusion of walking underwater for a film which took three years to shoot and was completed in 2013 in El Hierro, Canary Islands. Like a scene from a Hollywood science-fiction movie, this trick footage shows a man apparently walking on water. The underwater film was shot by biologist Armiche Ramos and brothers Armando and Francisco del Rosario, who used their expertise in freediving to create the illusion. No computer graphics were involved in the production, with the team relying solely on their own skills – and a few hidden secrets. (Photo by Ocean Brothers/Barcroft Media/ABACAPress)

In this photo taken in October 1917, provided by Russian State Documentary Film and Photo Archive, a machine gunner looks through a window at his position near the Kremlin in Moscow, Russia. The 1917 Bolshevik Revolution was long before the digital revolution allowed anyone to instantly document events. But the clumsy cameras of the time still caught some images that capture the period's drama. (Photo by Russian State Documentary Film and Photo Archive via AP Photo)

French-Argentine actress Berenice Bejo poses during a photocall for “Final Cut (Coupez !)” at the 75th edition of the Cannes Film Festival in Cannes, southern France, on May 18, 2022. (Photo by Loic Venance/AFP Photo)

Fans dressed up in costume await the cast members on the red carpet at the world premiere of the film "The Avengers: Endgame" in Los Angeles, California, April 22, 2019. (Photo by Mario Anzuoni/Reuters)