A wounded Syrian girl looks on at a make shift hospital in the rebel-held area of Douma, east of the capital Damascus, following shelling and air raids by Syrian government forces on August 22, 2015. At least 20 civilians and wounded or trapped 200 in Douma, a monitoring group said, just six days after regime air strikes killed more than 100 people and sparked international condemnation of one of the bloodiest government attacks in Syria's war. (Photo by Abd Doumany/AFP Photo)

Pro-Russian separatists from the Chechen “Death” battalion take part in a training exercise in the territory controlled by the self-proclaimed Donetsk People's Republic, eastern Ukraine, December 8, 2014. Chanting “Allahu Akbar” (God is greatest), dozens of armed men in camouflage uniforms from Russia's republic of Chechnya train in snow in a camp in the rebel-held east Ukraine. They say their “Death” unit fighting Ukrainian forces has 300 people, mostly former state security troops in the mainly-Muslim region where Moscow waged two wars against Islamic insurgents and which is now run by a Kremlin-backed strongman. (Photo by Maxim Shemetov/Reuters)

“Muhammed’s work has received many international awards, among others Breaking News Pulitzer Prize of 2005 for covering war in Iraq, POYI, Picture of the year 2007, of Saudi Arabia of the Annual Muslim pilgrimage, best Multimedia of the Annual Israeli photo contest of 2007, honorable mention Atlanta photojournalism seminar of 2008 and photo of the year of the Annual Israeli photo contest of 2008 with two first prizes and two second prizes in different categories, two prizes in the Atlanta photojournalism seminar of 2009, 6 prizes in the Annual Israeli photo contest of 2009”. – Associated Press

Damir Sagolj has won Reuters photojournalist of the year for his 2016 work, which included documenting the deadly Philippine drug war and the North Korea congress. Here: A 17 year old girl lays dead next to her doll after she and her friend were killed by unknown motorcycle-riding gunmen, in an alley in Manila, Philippines early October 26, 2016. According to the police, a sign on a cardboard reading “Tulak ka, hayop ka”, which translates to “You are a (drug) pusher, you are an animal” was found with the body of girl's friend. (Photo by Damir Sagolj/Reuters)

Traditional trumpeters perform during the durbar festival on the second day of Eid-al-Fitr celebrations in Nigeria's northern city of Kano, July 7, 2016. The Durbar festival begins with prayers, followed by a parade of the Emir and his entourage on horses, accompanied by music players, and ending at the Emir's palace. The Durbar festival had been in hausaland for more than 500 years. It was introduced by sarki muhammadu rumfa of kano in the late 14th century, as a way of demonstrating military power and skills before going to war. The festival is also an opportunity for local leaders to pay homage to emir throughout the jahi cheering. (Photo by Akintunde Akinleye/Reuters)

The Euro sculpture is partially reflected in a puddle on a cobblestone pavement in front of the headquarters of the European Central Bank in Frankfurt on Jan. 21. (Kai Pfaffenbach/Reuters)

“Li Wei (born in 1970, Hubei, China) is a contemporary artist from Beijing, China. His work often depicts him in apparently gravity-defying situations. Wei started off his performance series, Mirroring, and later on took off attention with his Falls series which shows the artist with his head and chest embedded into the ground. His work is a mixture of performance art and photography that creates illusions of a sometimes dangerous reality. Li Wei states that these images are not computer montages and works with the help of props such as mirror, metal wires, scaffolding and acrobatics”. – Wikipedia

Photo: Love at the high place I (Photo by Li Wei)

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.