Los Angeles based MizEnScen is obsessed with doing this. This very cryptic artist is a digital collage/illustration artist who cuts and pastes what looks like imagery from old, forgotten academic texts. She takes them and layers them atop of each other to make sometimes silly portraits to beautifully textured florals growing out of bones.

Painted by Kyle Lambert. The world's most realistic finger painting. Using only a finger, an iPad Air and the app Procreate, artist Kyle Lambert has painted a photorealistic portrait of actor Morgan Freeman.

Tracy Raver's photos of babies – particularly sleeping babies – are adorable. The Nebraska-based photographer appeared on the Today Show Friday, September 11. Raver shoots portraits of babies at rest and in all sorts of positions. Full-bellies and a warm studio go a long way in coaxing the babies to sleep.

The artist Samantha French reveals the magnificent series of paintings: portraits of men and women under water. Very realistic creations expressing the world under water. Every detail is present, sunlight on water, air bubbles in the water, the color tone underwater, aquatic atmosphere. Absolutely amazing to discover in the rest of the article works.

“Pink Portrait” series by Scott Scheidly makes a slightly different and more literal use of the glamorization; by making the subjects glamorous. Napoleon stuns with a flower crest and pink shoulder tassels, Stalin earns medals of heart and butterfly, rocks a tiny pink earring, and a uniform Elle Woods would be proud of, while Clint Eastwood gets ready to face off in a gorgeous lavender shawl. These guys may be tough, but they all look pretty in pink.

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)